An Apology

Machinations by Georges Aperghis. Created at Ircam in 2000. On the one hand you could switch the radio to LW frequency and possibly the static you would hear coming out of your speakers would be just as senseful as the words and sounds spoken, spat out, coughed and (seldom) sung by the four female performers sitting at their glass tables. However. I loved every second of it. My mother and father both slept through, representing between the two of them possible responses of those displeased: one heavy-headed for lack of evident purpose, the other restless for lack of development, but I sat, row 3, seat 5, wide- eyed and thirsty-eared, swallowing every second of it. Swallowing every word.
Explanation: the main and only relevant question was: is there a difference between man, woman and machine. Where lies the point beyond which man himself will no longer be able to distinguish. And once we admit to having crossed that line, does it matter who is what? Like Helo falling for Athena. Theater and sound. Perfect harmony achieved through utter chaos. Theater: to witness with your eyes the androidal transformations occuring on faces of women whose garbled voices are thrust through them without their knowledge. Sound: to close your eyes and let the sound flow in, engulf your brain in delicious misunderstanding from the four voices entangled in the computer's odd command lines and intrusions, like walking through a field and suddenly stopping, looking at your feet to see grass embedded in your shoelaces. This is an Apology.
Image courtesy of Ircam.

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Cooking for one: the grocer's point of view

So she comes in, just another customer, just another one I am ready for before she is ready for me. I see her looking all over the display, not knowing what it is she wants, yet another undecided Thursday evening shopper. I ask: „Next, please!” with a slightly harsher tone than I intended to give off, and she presents to me a bag of multicereal buns. She isn’t even sure how many she put in there. Then she babbles something about ribbons. That was the best part. She wants pasta in „ribbons”. Ribbons, I say? No, actually I didn’t even repeat after her, it just seemed too ridiculous. So I show her the pasta, left from right, as she struggles to redefine what she wants. It turns out she wanted the bow-ties. Even I wouldn’t call them bow-ties, but „ribbons” certainly doesn’t help. I suppose they do have an Italian name, farfalle or something like that. All that stuff is Italian anyway. Then she wants tomato sauce, I think to myself, hey, I wonder what you are having for dinner tonight, but she doesn’t know which one. I talk to the other staff just to try and make her less uncomfortable as she squints to make out the ingredients of the various types of sauces that are piled on top of each other on the shelves behind my back. She asks for „that one”, pointing clumsily a bit to my left. Oh, so you want concentrated tomato?, I ask with a resolutely doubtful tone. She gives me a blank look as if to ask: „That’s what I pointed to?” and asks for something „more like” pasta sauce. She doesn’t want Bolognese because there may be meat in it, I don’t care, so I tell her that even if there is any, it would only be traces - traces of fake meat, I add in my head. But she seems bothered, must be another one of those New Age vegetarians, so she asks for the regular Spaghetti sauce. Finally! The woman knows what she wants. 4.40, 7.80,  4.20 and 2.50 and you’ve got yourself your solitary dinner, plus some bread and cheese for breakfast, lady. Next, please!

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July 28

Nothing can satisfy me anymore. During the day, I pass the time doing something I convince mysef is useful, but when dusk falls I tiptoe restlessly around my apartment counting the mosquitoes, not daring to kill for fear of staining the freshly painted walls. After a couple of teas and some chess, even lazy late night attempts at something approximating masturbation fail to awake my imagination, much less my body. The only urges I have left are urges to write; they attack me now and then, in between times, usually when I have not the slightest intention of acting on them. After I let them escape, they keep wandering around my mind like shadows of people I almost met. So I put on my favorite music to try and chase them away entirely, but I can feel them soundlessly resting their feet on my memory, clinging to its walls much like those mosquitoes I dare not strike.

I realize after a while that the only way to recover some peace of mind is to try to sort them out: past ideas from past events. Then again, I reflect, once an event is passed, is it anything more than an idea, my idea of what it is that happened?

So let us begin: the weekend before last was my first real weekend of socializing in Warsaw, my hometown. On Friday I went to Mateusz’s place and had some wine there and talked to some Claude guy I will probably never see again. We all went to Kamieniołomy and danced it out. Łukasz was there, I did not say hello, but he did, by poking my shoulder and dancing, in his endearing, dysfunctionally gleeful way. His new/old girlfriend later danced up to me and said something like Hi, I am Łukasz’s girlfriend, ... (whatever her name was), and I just wanted to say I am very happy to meet you and thank you for everything you’ve done for him back in Paris, (oh, you’re more than welcome), and you know I could really be jealous of you, cause you’re pretty (right), but you seem honest and not like the kind of girl who would go around stealing other girls’ boyfriends (no kidding), so ... and then she just lost it and resumed dancing. Suffice it to say that I thought the world of her as long as I was drunk.

But that is not what matters, it isn’t the dancing, it isn’t Łukasz nor his sweet, overbearing girlfriend nor even the fact that all of a sudden, around two, I saw Maurycy close to the bar, and he saw me, and we talked and danced like in junior year so that even when all my friends left, we were still there, until almost five, when we got a vodka-juice to go in a plastic cup and had to wander around the barely waking town.

What matters is something I cannot quite recall in detail because it is lingering like a fly of an idea caught up in a web of events. I remember I was waiting, sitting and waiting and it was not the regular hour for waiting there nor for hearing what I heard. I remember thinking: Here it is again, but I will not write about it. After all, there is no Street Cat Sightings Bureau that I could report to and say: I confess! I am the one who sees all the street cats as they soundlessly step over to the other side. So why should I feel compelled to describe what my mind saw in that waiting place? Just because there is a voice telling me to do so? That voice thankfully bears no authority.

Now I remember. It was the Friday after that Friday. It was an empty multi-level mall, around midnight. Nobody save a few gentlemen in blue suits cleaning the floors on strange brush-wheeled machines was around. Save them, and Maurycy and me. We had just left the movie theater and he needed to find a toilet. So I sat there in the empty mall and tried to remain completely motionless. I noticed a man cleaning the escalator a couple dozen feet behind me, who didn’t seem to care much for my unexplained presence. The good thing about cleaning the escalator is you don’t have to move at all. I noticed the ceiling was full of sensors of various sorts. There may have been cameras, black eyed in their white eyeball-like form, unless those were just infrared sensors. There were small silver sprinklers looking like they could fly away at any moment with dazzling speed and solid white plastic smoke detectors, which were not going anywhere but focused on staying alert. Every now and then, the alarm in some window display a few floors below would go off, like a lonely voice in an empty ballroom, regretting a long-lost dance partner. But the boutique directly in front of me had a very unpleasant voice when its alarm went off. It didn’t sound inspiring at all, it sounded hostile and impatient. As if its red gleams were daring me to make but a single move in their direction. And what, may I ask, did you expect to find here at this hour?

Much more noteworthy things happened between that first Friday and today (today is Tuesday). For instance, Maurycy took me to Powiększenie for the first time, and there I met twins, Ola and Zuza, who were very nice, and we talked and had some beer, and Ola was leaving for New York the same day, at five PM. Everybody left little by little, freeing up precious couch space, but Maurycy and I stayed on, we lingered on just like that first Friday in Kamieniołomy. We sat on the large black couch, opposite a huge picture of the club’s facade. We talked about his brother Ignacy, who had been taken from this world in mysterious circumstances: supposedly, cancer, but actually, some kind of higher calling that would not suffer disobedience, that was stronger than freedom itself. He mentioned how disgraceful and unpleasant some people’s comments were: We mourn him, but his death has really made us see what a wonderful person he was, and how lucky we were to have known him, so in a way his death is a good thing! Maurycy did not feel reassured by that sort of reassuring remark. I tried to explain on their behalf that it had just come out nastily but actually what they meant was simply that you never appreciate something as a work of art if it doesn’t have an ending, and Ignacy’s life had received one in the prime of his youth, which makes it even more admirable, since its many branchings had been cut off at their buds.

Still, the noteworthy, remarkable things are not the ones I should nor like to put into writing. I prefer to write of lonely red laser beams in abandoned malls than to recount a dear friend’s struggles with his loss. I suppose in that way writing is where I escape morality, but with a clean conscience.

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The Walk

I just got back from what was probably the best walk in my life. I decided, after seven or eight hours or so of lingering restlessly at home not doing anything apart from playing chess with my computer and pointless re-watching old L word episodes, that I would go out, with just my cell phone and my keys, and a raincoat, because it had been raining and thundering in the afternoon.
Here is the route I ended up taking, athough my original intention had been simply to get to Narbutta and see what the local public library looked like:

Akacjowa→Rakowiecka→Fałata→Narbutta→Kwiatowa→Madalińskiego→Puławska→ParkMorskie Oko→Belwederska→Chełmska→Górska→Gagarina→Park Łazienkowski→Agricola→Plac na Rozdrożu→Al. Szucha→Pl. Unii Lubelskiej→Puławska→Rakowiecka→Akacjowa.

I can’t say exactly how much time it takes to walk that route, since nobody in their right mind should expect to foresee how much time they are going to spend walking around the Łazienki park, which I have now decided is by far the most exciting, the most magical place on the Earth as I have grown to know it.

I didn’t expect to see Łazienki today. It is the kind of place you think of as a „destination”, almost a trip one plans in advance, predicting costs and pleasures, putting away a chunk of time and inviting just the right company. If I had known I would end up there, I might not have had the courage to even leave the house. However, from the very first steps my feet took sweeping on the sidewalk so swiftly I almost felt like I was floating, I could tell that it was going to be a longer walk than I intended. Once I got to Morskie Oko, the park on the other side of Puławska where I used to take piano lessons, I was surprised at how short this familiar distance really was. Because I had almost always taken the bus from home to Morskie Oko in the days when I used to go there every week, doing it on foot derailed one of the preconceived notions I had of distance itself.

I was on the phone with Adam, walking towards the bottom end of the small park he said he didn’t like, because the view was spoiled by some huge building closeby which I could not spot even though I tried. On the angle of Belwederska and Dolna there was a brave, good-looking german shepherd tied to a sign post, waiting in front of some obscurely lit grocery store, not minding the rain at all. I wondered with some horror what would happen if his master wasn’t in the store, but had just left him there, never to return. I decided not to heed to my mind’s anxieties and walked down Chełmska to Górska, where I felt less at home than in Mokotów and decided it was time to „loop the loop”. However, when I turned into Gagarina (which is parallel to Chełmska), I noticed a rather large park on the other side of the street and could not help but cross to see what it was. Some people were still inside and the gate was open, even though eight PM was approaching.

You can imagine my amazement when I found out it was actually Łazienki, which in my mind’s clumsily disproportioned and distorted map of Warsaw was definitely not in this neck of the woods. But then again, I didn’t know what neck of the woods I had wandered into either. So in a way I wasn’t surprised. Just amazed. I strode in uninvited, not believing my luck and walked quietly along lush green alleyways and rows of wet wooden benches deserted by the rainstorm that had sent people to their homes. Inevitably I stumbled upon a breathtaking view of the Pałac na Wodzie, which is the park’s center of gravity, and saw there was something going on in the amphitheater I love so much, because the stage is separated from the audience by an actual canal, and because I once got an autograph there, from an actress whose stage name was Sroka. There was a modern dance show by a group of five dancers who called themselves „Zawirowania” and danced to Chopin pieces. It was enjoyable, professional, but most of all I just loved the fact that the whole performance was open to anyone, that the peacocks butted in whenever they felt like the music related to their experience in some way, and the evening air was cool and soft against my skin. The concert ended around ten PM and I followed the quiet string of people toward the only gate that had been left open, and then made my way, unsure of my own steps at first, towards home.

Needless to say, I saw street cats tip-toeing in front of me both at the beginning (Narbutta) and at the very end (Akacjowa).

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Lifelines

My ninety-three year old grandmother, locked away in her assisted-living facility where she rarely sees anybody, keeps this and other sheets of paper in the purse she can no longer reach for on her own: it is a hand-written list of all the birthdays of all her children and grandchildren, cousins, and other kin.
Last time I moved my sorry self to see her, she asked me to take it out and read a few dates out loud, because she was afraid there was a birthday coming up that she might miss.
As I unfolded the sheet taking care not to rip it along the worn out folds, I could barely contain an emotion, perhaps because it so greatly surpassed me.

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Filed under  //   birthdays   dates   grandmother  

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Windowcat

There's something about cats in windows...this particular cat lives in an apartment on the angle of Rue de l'Université and Rue Pré aux Clercs. Every time I pass that angle to go from one classroom to the other, I check if it's sitting there. And when it graciously appears, it always obliges with a fitting, dramatically dignified pose.

Kind of reminiscent of the greatest YouTube celebrity of all time, aka the dramatic chipmunk.

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Filed under  //   cat   windowsill  

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At the edge of a dream

At this the whole pack rose up into the air, and came flying down upon her. She gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees on to her face.

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Filed under  //   Alice in Wonderland   art   Arthur Rackham   illustration  

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A window in Delft

This is a background I made a few years ago. It is made out of a picture of an old house in Vendières, France, and Johannes' Vermeer's famous 'Street in Delft'. I hope you find some use for it.

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Filed under  //   background   Johannes Vermeer   Street in Delft  

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Adam Smith was not a "capitalist"

Please see my notes from the refreshing talk entitled "Capitalism and Confusion" which prof. Amartya Sen gave at Sciences Po earlier today. Also, you may want to know that he is suspicious of disembodied voices.

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Filed under  //   Adam Smith   Amartya Sen   capitalism   Sciences Po  

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That baby was my dad

My grandmother gave me this photograph yesterday. It was taken in 1939 at Combs-la-Ville, yet another French town I will never visit, at my great aunt's house (seen in background). From left to right: My great-grandmother, my great aunt, her son, my grandfather holding...my dad, my grandmother.
I am just posting this because it is unfathomable to me how I am 23 and my dad, 71, and yet there he is on this picture, barely larger than a schnautzer. And it does not seem real because there is no possible world in which I could have been in that photo. It's not just that I happened to be somewhere else while these reluctantly content people posed for a photographer. It's just impossible for me to have in any way physically apprehended what that grass felt like under my feet, what that house looked like from the other side, and what the smells in the air were that day. And so how can it be real?

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Filed under  //   1939   age   Combs-la-Ville   family photo   time  

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About

I am a student in International Relations and the semiotics of photography. I am a student of life. I am such a student that I will probably end up teaching.